Michael Zavros in ‘Surface Affect’, Govett-Brewster Art Gallery, New Plymouth. Photograph: Sam Hartnett. See ‘Surface Area’ review for EyeContact.

 

2017

Surface Area: ‘Surface Affect’ at the Govett-Brewster Art Gallery, EyeContact (Review), Nov
http://eyecontactsite.com/2017/11/surface-to-air

Walk the Talk: David Clegg’s ‘loca projects / correction’, Govett-Brewster, EyeContact (Review), Nov
http://eyecontactsite.com/2017/11/walk-the-talk

Caryline Boreham’s ‘Disco Volante’, InSitu Photo Project, Christchurch, Oct
http://ispp.nz/exhibitions/disco-volante/

Representations of Artists in the New Zealand International Film Festival, EyeContact (Review), Oct
http://eyecontactsite.com/2017/10/utopian-player-radical-other

Pipilotti Rist’s ‘Eye Pot’ & Shane Cotton’s ‘Compressed View’, Glenn Schaeffer Collection, Art + Object, Oct
https://www.artandobject.co.nz/AuctionResources/388/CAT_121.pdf

Ultramarine: Stephen Ellis’ Anthropogenic Sublime, 20/20, Sanderson Gallery, Oct
https://www.sanderson.co.nz/content/publications.aspx

Futures Trading: The Tomorrow People, Adam Art Gallery, EyeContact (Review), Sep
http://eyecontactsite.com/2017/09/futures-trading

Celestial Hum: The Cosmic Landscapes of Michael Illingworth, Art + Object Auction Catalogue, Sep
https://www.artandobject.co.nz/AuctionResources/386/Cat_120.pdf

Burning Out: John Ward Knox’s ‘Tauhou’, Robert Heald Gallery, Wellington, EyeContact (Review), Aug
http://eyecontactsite.com/2017/08/burning-out

Shane Cotton’s ‘Outlook (Purple)’, Art + Object Auction Catalogue, Aug
https://www.artandobject.co.nz/AuctionResources/384/Cat_118.pdf

HOW TO BURN THE HOUSE DOWN, Elliot Collins’ ‘Restless Pilgrim’, Tim Melville Gallery, June
http://timmelville.com/exhibitions/showArticle.php?file=06_02_elliotcollins.xml&year=2017#/img/1

Turning the Telescope Inside Out, Mark Adams’ ‘View From Astronomer’s Point’, Two Rooms, June
http://tworooms.co.nz/exhibition/views-astronomers-point/

Eating Dirt, Ruth Watson’s ‘Geophagy’, Gus Fisher Gallery, EyeContact (Review), May
http://eyecontactsite.com/2017/05/eating-dirt

Modernism in the Medicine Cabinet, ‘John Nixon: Collages’, Two Rooms, April
http://tworooms.co.nz/exhibition/collages-selected-works/

2016

Matt Henry & Madoka Kouno ‘Personal Recordings’ (Review), Writing Around Sound Journal, Issue 3, Dec
http://auricle.org.nz/product/writing-around-sound-3/

Dashper the Friendly Ghost: A Response to ‘Julian Dashper: Video Works’
Phantom Topologies: CIRCUIT Symposium, Pantograph Punch, 12 October 2016
http://www.pantograph-punch.com/post/dashper-friendly-ghost

Voodoo Ray vs. Zombie Modernism, Catalogue Essay for Matt Henry: Long Division
Govett-Brewster Art Gallery, September, ISBN: 978-0-908848-87-7
https://static1.squarespace.com/static/56ea025d86db430e409b0dfa/t/582d1dc32994ca1039ba0f78/1479353451961/Long+Division.pdf

Cloud Funding: The Auckland Art Fair, EyeContact, 3 July 2016 (Review)
http://eyecontactsite.com/2016/07/cloud-funding

Peter Peryer: Datura, Bowerbank Ninow Auction Catalogue No. 2, March, 2016
http://bowerbankninow.com/auction/auction-no2/peter-peryer-datura/

2015

Wet Paint: The Auckland Art Gallery’s ‘Necessary Distraction’, EyeContact, 29 Dec 2015 (Review)
http://eyecontactsite.com/2015/12/wet-paint

Rohan Wealleans’ ‘Black Panther’ & ‘The Thing’, Bowerbank Ninow Auction Catalogue No. 1, November
http://bowerbankninow.com/auction/auction-no1/rohan-wealleans-black-panther/

The Kiss & Cry: Russ Flatt’s ‘Nationals’, Tim Melville Gallery, Auckland. Also in Black Magazine, No. 24
http://timmelville.com/exhibitions/showArticle.php?file=08_18_russflatt.xml&year=2015#/img/1

Augmenting Architecture: Shannon Novak’s ‘Cryptocosmos’, Te Uru Waitakere Contemporary Gallery
http://www.teuru.org.nz/teuru/assets/File/Augmenting%20Architecture_Emil_McAvoy.pdf